Welcome to my portfolio of published works. To inquire about my freelance writing services, please contact me at Jlsolis6@gmail.com.
Saturday, February 21, 2015
Recent Articles for IEShineOn.com
"SoCal Families" Articles:
Rancho Santa Ana Botanic Garden - http://www.ieshineon.com/article/socal-families-|-rancho-santa-ana-botanic-garden/
Kids Rock Free School of Music - http://www.ieshineon.com/article/socal-families-|-kids-rock-free-school-of-music/
The Raymond M. Alf Museum of Paleontology - http://www.ieshineon.com/article/socal-families-|-the-raymond-m-alf-museum-of-paleontology/
"Amplif[ie]d" Music Articles:
Voodoo Glow Skulls - http://www.ieshineon.com/article/amplif%5Bie%5Dd-|-voodoo-glow-skulls/
Almost Anywhere - http://www.ieshineon.com/article/amplif%5Bie%5Dd-|-almost-anywhere/
Bedroom Talk - http://www.ieshineon.com/article/amplif%5Bie%5Dd-|-bedroomtalk-/
Natalie Brooke - http://www.ieshineon.com/article/amplif%5Bie%5Dd-|-natalie-brooke/
The Flux Capacitors - http://www.ieshineon.com/article/amplif%5Bie%5Dd-|-travel-back-in-time-at-rock-%E2%80%98n%E2%80%99-remember-with-the-flux-capacitors/
"Nightlife" Articles:
Flappers Comedy Club - http://www.ieshineon.com/article/nightlife-|-flappers-comedy-club/
That 80's Bar - http://www.ieshineon.com/article/nightlife-|-that-80s-bar/
"Taste" Food & Drink Articles:
How-To Taste Scotch Whisky at Vom Fass Claremont - http://www.ieshineon.com/article/taste-|-how-to-taste-scotch-whisky/
Thursday, December 11, 2014
The Firece Females of Cannabis Politics
By: Jamie Solis
Dr. Amanda Reiman is a researcher and professor who also serves as the Policy Manager for the Marijuana Law and Policy unit of the Drug Policy Alliance. She is also the first woman to serve as a chairwoman on the Medical Cannabis Commission for the City of Berkeley, and she is part of the Cannabis Regulatory Commission for the City of Oakland. In all of her titles, she keeps a passionate goal of furthering our industry towards legalization and regulation. The medical and recreational cannabis communities are grateful to the dedication of these great women.
Originally published by Culture Magazine on Dec. 4, 2014: http://ireadculture.com/article-4854-the-fierce-females-of-cannabis-politics.html
Thursday, November 13, 2014
Young Man Diagnosed with Autism is Saving Lives Alongside His Mother
By: Jamie Solis
Originally Published by Culture Magazine on Oct. 2, 2014: http://ireadculture.com/article-4574-young-man-diagnosed-with-autism-is-saving-lives-alongside-his-mother.html
Looking Ahead in Santa Ana, Will the Raids Finally End?
BY: Jamie Solis
Originally Published by Culture Magazine on Sept. 9, 2014: http://ireadculture.com/article-4408-looking-ahead-in-santa-ana-will-the-raids-finally-end-.html
Sunday, July 6, 2014
Keep Calm and Kick Ass
All-Female Rock Band Bad Cop/Bad Cop is a powerhouse of energy and talent!
Keep Calm and Kick Ass
How did Bad Cop/Bad Cop first get together?
Jennie Cotterill: We were all playing in bands that were sort of moving in the same circle, but peripherally, if you’re a woman in a band, you kind of take notice of other women in bands. You find yourself introducing yourself.
Are there any advantages to having an all-female rock band?
It is a distinction when we play shows that are not at home. There are not that many other women playing, so in that way it’s easier to stand out, like being the albino zebra. Not that someone is going to eat us, but that you do stand out from the herd, because that is a fun fact—we’re all girls.
How is feminism important to Bad Cop/Bad Cop?
Lately, all of the new songs we are writing for our new record are super feminist, because it’s on the table right now. It’s a hot topic, and it’s great to be able to talk about it with people who have a lot to say. So this next album is going to be pretty seriously drenched in feminism.
Are there any other social issues besides feminism addressed through your music?
I would say for sure as a band we care about gender equality, marriage equality and human rights in general. It’s hard to keep up with all the terrible things that are happening in the world. I would say we are less “ladies”—we are just progressive and we just want everyone to be treated equally.
What are your thoughts about cannabis?
I’m really glad that we’re just about resolving this. I realize that there is a lot of back and forth, and this is a gray area in a large political change. We’re going to read about this in our children’s textbooks, and it’ll be like, “Yeah, it was confusing, it was kind of legal, it was not legal for a while then it was legal only in certain places. It was kind of mushy.” [Cannabis] should be taxed, legalized and another form of income for the government. People need schools, and people want to smoke cannabis, and it’s not bad—there are medical benefits. I have lots of thoughts about pharmaceutical companies, and our healthcare is being determined by these corporations that don’t have anybody’s interests in mind, just money, and I think that’s insane. It’s insane.
What can fans expect when they come to a live Bad Cop/Bad Cop performance?
Probably too much talking. We all want to share too many things with people. I think they should be prepared—I hear we rock really hard. And it’s funny. People are laughing and having a good time. It’s not an aggressive, bully mosh-pit type deal. People might be dancing and moving around in a circle, but you can come and you can bring anyone you want. Its fun, it’s entertaining, it’s fast and loud. And I keep hearing kickass!
www.fatwreck.com
Originally Published by Culture Magazine on July 3, 2014: http://ireadculture.com/article-3977-all-female-rock-band-bad-cop_bad-cop-is-a-powerhouse-of-energy-and-talent_.html
To Vape or Not to Vape
To Vape or Not to Vape?
Determining Which Method of Extract Consumption is Right for You
Vape It
Discretion and Convenience
Dab On
Oral Ingestion for Ailments
Rules of Extraction
Rules of Extraction
Where Do Concentrates Come From?
A New League of Dab Gear
Taking the Glass Art World by Storm
By: Jamie SolisGlass pieces intended for cannabis consumption have not always been accepted by the sophisticated art scene. This avenue of glassblowing wasn’t recognized for its level of skill and precision until recently, as remarkable pieces of art that also serve as intricately stylized dab rigs sell for tens of thousands of dollars.
Collectible Rigs
Leading glassblower JRed (@jredglass) currently resides in the state of Washington. The functionality of his gorgeous glass sets high standards. Using bold and bright colors, his technical pieces are eye catching, and common themes include owls with hypnotizing eyes, funky ducks, psychedelic octopuses and more. You could say JRed is where cartoon meets creature. Insanely complex circular patterns are also in character to his work, whether they are part of glass animals or one is protruding off a more standard style rig. His use of clean lines and geometric patterns pushes the envelope, making his rigs not only collectible, but valuable as well.
Tuesday, June 17, 2014
ALUMNI SPOTLIGHT - Michele Serros
ALUMNI SPOTLIGHT
Michele Serros
A Flourishing Author with Relevance and Passion
By: Jamie Solis
As a thriving poet, social commentator and author, we are proud that Michele Serros is an alumna of Santa Monica College. She is a former writer for the TV series George Lopez, and her published works have landed on recommended reading lists in many Southern California schools. Her books have also received attention from bands like Red Hot Chili Peppers and Rage Against the Machine. While studying at SMC, Serros began to make big moves in her writing career. She recalls the faculty who were influential during this exciting time in her life.
Michele Serros first entered academia by attending public school in her hometown of Oxnard. After public school, she went to Ventura College for a few years. She then moved 60 miles to the south where she started at Santa Monica College in 1985. While she lived in Los Angeles, Serros was too embarrassed to admit that she was from Oxnard. Instead, she would give the name of her city a fancy spin, “I would often tell people, as casually as I could, ‘Oh, I live between Malibu and Santa Barbara.’ It sounded so much more glamorous.”
Several members of the faculty made a lasting impression on Serros. One instructor inspired Serros was Daniel Cano. She explains how one class stood out to her, even though any class she took with Cano prepared her for a successful future, “And without doubt, Mr. Daniel Cano’s Mexican American Literature class. His instruction was a turning point in my life.” She is also very grateful for her Speech class, because she still uses the skills today as a professional speaker. She also received support on a more personal level from the Women’s Center and her math instructor Ann Carroll. With help from these women, Serros was able to grieve the death of her mother.
Serros started gaining fame for her writing during her years at Santa Monica College by publishing Chicana Falsa and other stories of Death, Identity and Oxnard. Serros went on tour with Lollapalooza with 11 other poets as a result of the attention she received from her earliest book. While on tour, Billy Corgan of the Smashing Pumpkins played guitar as she recited her poem, “Mr. Boom Boom Man.” Her first collection of poetry and stories really propelled her career forward.
After studying at Santa Monica College, Serros went on to receive a degree in Chicana/o Studies from UCLA, where she graduated cum laude. She has since published young adult novels entitled Honey Blonde Chica and ¡Scandalosa! She is also an experienced writer for numerous publications includingWashington Post, Los Angeles Times and more, and she is well-known for contributing social commentaries on various outlets on National Public Radio. From her influence on curriculum, to her poetry that drives by on the Los Angeles County buses, her immeasurable successes can be seen all over.
When asked what the biggest challenge she faced was on her road to success, Serros explained that she didn’t get to spend enough time with her family, “There are so many pages in the family’s photo albums (large books with heavy paper pages where one can attach photos—ha!) that celebrate family events that [do] not include me.” Despite the challenges, Serros is happy that she continued on, because she can now make a living by doing what she loves.
Serros’ fondest memory of Santa Monica College was working alongside a future star, “It was fun having Rivers Cuomo (from Weezer) as my assistant at the (then) Latino Literary Center. We talked a lot about music and books. I remember thinking, ‘This poor guy from Wisconsin. His band is never gonna make it.’” With the sense of humor you’d expect from an entertainment writer, Michele Serros represents the remarkable capability that lies within every student at SMC.
As an experienced speaker, Serros often gives speeches at commencement ceremonies across the nation. This year, Santa Monica College is beyond privileged to have someone with so much relevance sharing her expertise at our graduation ceremony. Michele Serros would like to send our graduates off into their promising futures with this simple piece of advice, “Meet all your deadlines a DAY before they are due and always, always, arrive 10 minutes early for interviews.”
Originally published by Santa Monica College in February 2014: http://alumni.smc.edu/News/NewsDetail/7059
Wednesday, April 2, 2014
ALUMNI SPOTLIGHT - Annie Bird
ALUMNI SPOTLIGHT
Alumna Dr. Annie Bird calls SMC “a gem among community colleges.”
By: Jamie Solis
Policy Advisor in the Bureau of Conflict and Stabilization Operations at the U.S. Department of State, and SMC Alumna, Dr. Annie Bird has recognized Santa Monica College as a key building block for her academic choices and career. She writes: “The SMC community, especially people like Patricia Brown, then Dean of Student Life, nurtured my potential and taught me leadership skills that are still with me. The passion that teachers like Richard Tahvildaran-Jesswein and Alan Buckley brought to the classroom was inspiring. SMC is a gem among community colleges.”
Her involvement with many campus organizations helped her connect with the diverse student body and community. Within the first month of attending SMC, Bird was appointed as A.S. Director of Student Services, where she led a day-long dialogue on racial stereotypes and institutional racism. Also appointed as Student Trustee on the College Board, she was given the authority necessary to address various issues while representing the student body. Bird was part of many popular SMC clubs, including Model United Nations, AGS and Rotaract. It was through an AGS community service event that she learned about an opportunity to travel to Geneva as a student ambassador during the UN Subcommision for the Promotion and Protection of Human Rights. This experience sparked her interest in the field of international human rights.
Bird transferred to University of California, Berkeley, where she earned a Bachelors of Arts in Peace and Conflict Studies. In pursuing this degree, she spent a year studying international relations in Argentina after being awarded a Rotary Ambassadorial Scholarship, an award she learned about during her time at SMC. Her educational career continued thanks to the Marshall Scholarship, where she earned a Masters of Law in International Human Rights Law from the University of Essex and a PhD in International Relations from the London School of Economics. Bird has realized a great deal of professional success since her time studying at SMC.
Focusing her professional career on public service and international relations, Bird has worked with governments, NGOs and the United Nations in Africa, Latin America and Asia,. Much of her research has been published, including an upcoming book based on her doctoral research about U.S. transitional justice policy. Bird has taught courses on both foreign policy and international organizations at the London School of Economics and UC Berkeley. She has presented at numerous international conferences, and was a Visiting Researcher at Georgetown University.
We are beyond proud that Dr. Annie Bird is an alumna of Santa Monica College, who explains that her experiences associated with Santa Monica College were both “eye-opening and transformative.” They solidified her interest in public service and international relations, while guiding her on the path towards educational and professional success.
Originally published by Santa Monica College in February 2014: http://alumni.smc.edu/News/NewsDetail/3053
Thursday, January 16, 2014
ALUMNI SPOTLIGHT - Andrew Hem
Andrew Hem
For more on Hem's work, go to the source: www.andrewhem.com
Originally Published By Santa Monica College in November 2013: http://alumni.smc.edu/News/NewsDetail/2051
Dual Perspectives
Dual Perspectives
Any Which Way You See It
By: Jamie SolisIntriguing artwork has a way of connecting you with an inanimate object, creating an experience that allows you to feel part of something universal. A light installation by Hiromi Takizawa entitled “ULTRAVIOLET” is an alluring medium that gives us the feeling we are melded with a piece of art that is actively improving upon our overall well-being. When you first approach this work by Takizawa, feelings of health and happiness are produced because it is aglow—as you bask in the illumination of this piece, you are reminded of how practices of light therapy convey the notion that light is therapeutic and beneficial. After all, the sun is a great source for our daily dose of precious Vitamin D.
Purposefully placed facing the downtown pedestrian mall in the storefront window of UCR Culver Center of the Arts, this work is considered much more than just a sculpture—this installment conveys permanence beyond something that will be forgotten once it’s gone. The artist presents many merging themes of where she draws her inspiration, which range from the places she has called home to one specific period of art where dynamic light was given the freedom to roam in simple spaces. Not only is its placement within this hub of cultural excitement deliberate, but the time of year this work is being displayed is intentional as well. During these months, the days are shorter and the nights are long, giving “ULTRAVIOLET” a greater period of time to exude its bright beauty. This season also reminds Takizawa of the fall when she was living in her hometown of Nagano, Japan.
As an artist who is intrigued by duality, Takizawa uses this piece as a vehicle to materialize the merging of her Japanese heritage with the intriguing and obscure encounters she has found in the Western hemisphere. The way she brings together this opposing partnership between the two different cultures is by creating more than one way the viewer to see “ULTRAVIOLET.” Demonstrating this conflicting relationship, you are given the option of witnessing her work from clashing perspectives—you may see how the illumination of the transparent cube varies dependent upon which space you secure for viewing it.
Whether you’ve come to witness “ULTRAVIOLET” as the sun sets, or you happen to find yourself on the illuminated pathway as you head to the City of Riverside’s annual Festival of Lights, from the outside the exhibit, you’re viewing an installation that is a luminous sight—the transparent cube Takizawa designed conducts multicolored neon lights that illuminate its form. Vibrancy and shadows are broadcasted through the glass and out into the walkway that lies in front of the building it is projected from.
Once you enter the modest building and walk around to the back of the installment, you get a completely rivaled outlook as you’re forced to peer through a large window portal. What was a diffused wash of light is now represented only from its origins—stark and sharp color is glowing off the 12 neon rods that are responsible for generating this flush of pinks, greens, yellows, blues and crisp white. Hanging plants create a mural of shadows against the lightly illuminated space surrounding the rods, highlighting how different standpoints will result in a completely different representation of the same subject. This view shows that if you take a step beyond your initial reaction, and take a deeper look at any subject, relativity becomes evident and perspectives tend to shift.
The way light moves and dances throughout a simple architectural place was clearly influential to Takizawa in the conception of this installation. It was during the minimalist light and space movement of the 1960s that these themes started to emerge in the art world. Allowing light and vibrant colors to create depth and texture within an otherwise simple environment was revolutionary, and pairing an abundance of brilliant light with personal themes, Takizawa embarks on a revolution all her own. Let yourself fall into the illusion Takizawa has created, and reflect on how one subject can look vastly different all depending upon where you’re standing.
ULTRAVIOLET at Culver Center of the Arts, UCR ARTSblock, 3824 Main St., Riverside, (909) 827-4787; artsblock.ucr.edu. Thru Jan 4. $3.
Originally Published by IE Weekly on November 27, 2013: http://ieweekly.com/2013/11/arts/arts-feature/dual-perspectives/
Giving Thanks
Giving Thanks
Sharing the Values of the IE’s Native American Tribes
By: Jamie SolisBefore the arrival of Europeans to North America, Native Americans lived in harmony with nature, graciously taking only what they needed from the land in order to sustain their lives. Bound into slavery and onto reservations, many customs and traditions were forcibly stripped away from Native Americans, including their ability to access indigenous and healthy foods. In the spirit of Native American Heritage Month, we’re highlighting the native tribes that currently live in the Inland Empire, with a focus on honoring their customs surrounding indigenous foods. Native Americans continue to have a strong connection with food and the environment, which is a lifestyle modern Americans can learn from—we tend to be disconnected from our Earth and under the illusion that we in fact own it
November is Native American Heritage month, so there’s no better time to honor those native to this beautiful land. As you sit down to feast with your family for Thanksgiving and participate in traditions like sharing what you’re thankful for, you may be reminded of the first Thanksgiving. Your history book was filled with pictures of pilgrims and Native Americans smiling from ear to ear in front of a plethora of the same food you’re currently enjoying. If you choose to take a more analytic look at the origins and tales that surround the stories of America’s rediscovery, then you can break out from the fantastical myth of this holiday. Only then, you’ll be able to face the harsh reality that the relationship between Native Americans and Puritans was often non-peaceful and brutal.
Your History Lesson
Long before Europeans settled into what is now called the United States, Native Americans lived a simple life, where they hunted and gathered meals as-needed and used simple methods of preparation. Main dishes consisted of a local protein, whether it was fowl, fish or a variety of wild game. When hunting provided an overwhelming supply of food, they would preserve the meat by the means of dehydration or smoking—sure to never waste what they had taken. Often vegetables and meats were mixed together to make stews, and they prepared special dishes for cultural celebrations. The Inland Empire is home to many groups of Native Americans, including Cahuilla, Serrano and Cherokee tribes—all of whom have roots deeper in this soil than the century-old trees. Their food customs are unique, as the regions of each tribe dictate which ingredients are accessible. While corn is the most typical representation of the Native American cuisine, there are many other integral items that make up traditional dishes.Many modern-day Cahuilla Indians have lived in Cathedral City, Rancho Mirage, Riverside County and the mountains of Palm Springs for thousands of years. With more than 31,500 acres of ancestral lands, the Cahuilla preserve a habitat for Bighorn sheep. According to Michael Hammond, the director of the Agua Caliente Cultural Museum, time-honored foods of the Cahuilla Tribe aren’t typically consumed today. Their indigenous cuisine includes, “Mesquite beans, acorns, chuckwalla, rabbits, quail, sphinx moth larva, chia [and] cactus blossoms to name a few.” Their environment provided a plethora of fresh resources. A food that is customarily used in cultural celebrations is called weewish. This is ground up acorn leached with water. Its resulting texture resembles the mashed potatoes you’d find on your Thanksgiving table, but its unique flavor does not taste anything like potatoes.
The Serrano Tribe also resides within the IE. The valleys, passes, mountains and highlands of San Bernardino, as well as west into the San Gabriel Mountains, North Baldy and Big Bear Lake were all within the territory of the Serrano. A traditional Serrano food called wiic, which is made from the acorns of the black oak tree is still prepared today, especially in celebrations surrounding renewal. The blooms and stocks of the yucca plant are harvested annually. Deer, rabbit, pine nuts and Manzanita berries are also foods native to this tribe and region.
While those of Cherokee heritage living in the Inland Empire are residing outside of the traditional Cherokee boundaries, a non-profit community that is dedicated to preserving the cultural heritage of the Cherokee Nation can be found within the Inland Empire, with a presence most heavily centered in San Bernardino and Riverside. The Cherokee Nation publishes an online cook book that highlights cooking traditions, indigenous dishes and current renditions of time-honored Native cuisine. Simple foods that are commonly found on the Cherokee table are hominy, dried corn, dried fruits, bean bread and wild meats.
Feeding Your Soul
Food isn’t just for nourishing one’s body—it is also an important element for spiritual celebration, social fabric and maintaining a connection with nature. Men are typically responsible for bringing in rabbits and other game animals, while cooking food for the family is largely a duty held by women in Native American families. These largely matrilineal societies are set up where it’s the mother’s role to provide nourishment for her family. She provides the infant’s first meal through nursing, and she continues to lovingly nourish anyone who comes into her home. Therefore, many ancient tribal stories relate food with their familial and spiritual ties.One tale from the Serrano tribe, specifically the Yuhaviat clan, maintains a connection of Big Bear Lake to their people. This is because the water, plants and trees that supply food in the area are all part of their creation story. They believe their creator, Kruktat, was ill and dying high in the mountains of Big Bear Lake. When he died, the first people mourned his death, and their grief turned into pine trees. These trees began to provide nuts and acorns that fed the families of the Yuhaviat clan. This area still provides the pinon nuts and other foods from the plants that were traditionally harvested by the Serrano people.
Another traditional story that represents the intrinsic connection between nature, family and food comes from the Cherokee Nation. The first woman of the Cherokee people was named Selu, also known as the “Corn Woman.” She lived with her husband and two sons. In the story, her boys discovered the unbelievable origin of the abundance of corn their mother returned home with. They witnessed her placing a basket on the ground, shaking herself, and the corn falling into the basket from her body. They thought she had to be a witch, and they decided to put her to death. Selu read her son’s thoughts and told them precise instructions they must follow after killing her to ensure they still received corn. However, the boys executed Selu’s instructions incorrectly and because of that, corn now needs to be planted and tended to in order to grow. These stories demonstrate how deeply food is integrated into the belief systems and social fabric of Native American communities. They are sure to practice respecting nature, and they always leave enough resources behind to ensure next year’s harvest.
Although the Serrano people use animals for food, they treat nature and animals with the upmost respect, because they believe that animals and plants were once people who have transformed into other forms. According to a Serrano legend, the origin of deer (a staple in Serrano’s diet) came from people who had transformed into deer by their Lord’s request. The appreciation of the sacrificing of each animal’s life was not taken lightly. Large game was only killed after special ceremonial rituals were performed. Often the rituals included prayers, singing and dancing that lasted throughout the night and into dawn. Plants were given this same type of respect because of ancient stories and traditions. According the Cahuilla people, medicinal plants also came to be through a transformation of people at the request of their Lord. You’ll see that in Native American culture, nothing is taken from the land without a sense of gratefulness.
Celebrating Tradition
There are many events where you can celebrate ancient and modern traditions of Native American culture in the IE. Next week, the Cabazon XXXII Indian Powwow is happening at Fantasy Springs Resort Casino. Rain or shine, this powwow is being held inside their event center, starting on National Native American Heritage Day, Friday, Nov. 29th and going throughout the weekend. Contrary to popular belief, Powwows are not just for Natives, non-Natives are more than welcome to come and join in on the celebration as well. There will be arts and crafts, food, shopping and traditional singing and dancing, as well as inner-tribal, which is an opportunity for non-Natives to join the circle and dance alongside Native Americans to the drum beats.Celebrating with singing and dancing has always been a way for Native Americans to show their thanks for the harvest—it’s a colorful way to show gratefulness for a successful hunt and abundance of crops. The Director of Cultural Affairs for the Cabazon Band of Mission Indians, Judy Stapp, shared with the Weekly, “Native Americans have always have taken care of Mother Earth. They would never over-harvest. They knew they had to take care of Mother Earth, because Mother Earth took care of them.” If you’re interested in giving thanks for a lifetime of great food, and maybe even trying out some new Native dishes, Stapp informed us that this celebration would not be complete without some favorites.
Food booths will be selling many Native foods, including fried bread. This Native American tradition in California and throughout the United States somewhat resembles a puffy tortilla that is then filled with meat, honey or modern fillings like strawberry shortcake. There are plenty of meats prepared over an open fire, as well as a vendor selling buffalo burgers, buffalo being a very traditional Native meat. Another booth specializes in Navajo food, which usually consists of lamb with green and red chili. Bring the family to experience the food and dance, and leave with an understanding of Native cultural values.
Grateful Heart
American culture is vastly different from the traditional ways of the Native Americans. While they had a strong appreciation for nature and its many gifts that sustain life, modern day Americans tend to take Mother Earth for granted, with an abundance of travesties to our environment—including industrialized “necessities” that pollute the air and water and factory farms that exploit billions of animals that are treated as commodities instead of living beings. Part of the Native American culture that still exists today is utilizing natural resources, without taking more than what’s needed to sustain life. It is important to appreciate and emulate these fading cultural values in our modern society. With Thanksgiving just around the corner, take the time to give thanks for Mother Earth’s life-sustaining gifts.
Originally Published by IE Weekly on November 21, 2013: http://ieweekly.com/2013/11/feature-stories/giving-thanks/