Showing posts with label IEW. Show all posts
Showing posts with label IEW. Show all posts

Thursday, January 16, 2014

Dual Perspectives


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Dual Perspectives 

Any Which Way You See It

By: Jamie Solis

Intriguing artwork has a way of connecting you with an inanimate object, creating an experience that allows you to feel part of something universal. A light installation by Hiromi Takizawa entitled “ULTRAVIOLET” is an alluring medium that gives us the feeling we are melded with a piece of art that is actively improving upon our overall well-being. When you first approach this work by Takizawa, feelings of health and happiness are produced because it is aglow—as you bask in the illumination of this piece, you are reminded of how practices of light therapy convey the notion that light is therapeutic and beneficial. After all, the sun is a great source for our daily dose of precious Vitamin D.

Purposefully placed facing the downtown pedestrian mall in the storefront window of UCR Culver Center of the Arts, this work is considered much more than just a sculpture—this installment conveys permanence beyond something that will be forgotten once it’s gone. The artist presents many merging themes of where she draws her inspiration, which range from the places she has called home to one specific period of art where dynamic light was given the freedom to roam in simple spaces. Not only is its placement within this hub of cultural excitement deliberate, but the time of year this work is being displayed is intentional as well. During these months, the days are shorter and the nights are long, giving “ULTRAVIOLET” a greater period of time to exude its bright beauty. This season also reminds Takizawa of the fall when she was living in her hometown of Nagano, Japan.

As an artist who is intrigued by duality, Takizawa uses this piece as a vehicle to materialize the merging of her Japanese heritage with the intriguing and obscure encounters she has found in the Western hemisphere. The way she brings together this opposing partnership between the two different cultures is by creating more than one way the viewer to see “ULTRAVIOLET.” Demonstrating this conflicting relationship, you are given the option of witnessing her work from clashing perspectives—you may see how the illumination of the transparent cube varies dependent upon which space you secure for viewing it.

Whether you’ve come to witness “ULTRAVIOLET” as the sun sets, or you happen to find yourself on the illuminated pathway as you head to the City of Riverside’s annual Festival of Lights, from the outside the exhibit, you’re viewing an installation that is a luminous sight—the transparent cube Takizawa designed conducts multicolored neon lights that illuminate its form. Vibrancy and shadows are broadcasted through the glass and out into the walkway that lies in front of the building it is projected from.

Once you enter the modest building and walk around to the back of the installment, you get a completely rivaled outlook as you’re forced to peer through a large window portal. What was a diffused wash of light is now represented only from its origins—stark and sharp color is glowing off the 12 neon rods that are responsible for generating this flush of pinks, greens, yellows, blues and crisp white. Hanging plants create a mural of shadows against the lightly illuminated space surrounding the rods, highlighting how different standpoints will result in a completely different representation of the same subject. This view shows that if you take a step beyond your initial reaction, and take a deeper look at any subject, relativity becomes evident and perspectives tend to shift.

The way light moves and dances throughout a simple architectural place was clearly influential to Takizawa in the conception of this installation. It was during the minimalist light and space movement of the 1960s that these themes started to emerge in the art world. Allowing light and vibrant colors to create depth and texture within an otherwise simple environment was revolutionary, and pairing an abundance of brilliant light with personal themes, Takizawa embarks on a revolution all her own. Let yourself fall into the illusion Takizawa has created, and reflect on how one subject can look vastly different all depending upon where you’re standing.

ULTRAVIOLET at Culver Center of the Arts, UCR ARTSblock, 3824 Main St., Riverside, (909) 827-4787; artsblock.ucr.edu. Thru Jan 4. $3. 

Originally Published by IE Weekly on November 27, 2013: http://ieweekly.com/2013/11/arts/arts-feature/dual-perspectives/

Apparition Experts

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Apparition Experts

IE’s Paranormal Investigation Team Takes on Downtown Riverside

By: Jamie Solis

What would you do if there was a perverted spirit in your bathroom who stole your money and shared a preference of you wearing silky panties? These aren’t obscure occurrences from horror films like The Conjuring or The Shining . . . these are documented findings of a paranormal investigation team right here in the Inland Empire.

As humans born into this chaotic world, we’re given one guarantee with life, and that is the inevitability of facing death one day. There are countless uncertainties surrounding our encounter the grim reaper, and it’s quite normal for one to develop a curiosity into what the afterlife entails. Despite your religion, beliefs or faith, there’s no absolute way of knowing for a fact what follows life. However, a group of curious individuals may have found a way of validating that the other side does exist. These brave analysts are the paranormal investigation team Cal~Para Research.

I was lucky enough to meet up with four members of the Cal~Para Research team at a haunted location that they’ve had intelligent communication with spirits at in the past. The investigation took place in the beautiful and historic downtown area of Riverside that is home to wide streets lined with historic buildings. Americans first began settling in Riverside as early as 1873, while it was home to the Spanish colonials before then, and Native Americans lived on the land even earlier. It’s safe to say that there are generations on top of generations of potential spirits lingering on this land—a perfect place for my first ghost hunt.

Downtowne Presence

It’s a hot fall night and I find myself standing outside Downtowne Bookstore. The white stringed lights hanging against the brick building illuminate a path down a narrow walkway towards the entrance of the bookstore. The sun has set for the day, but there’s still enough light to make the experience feel less creepy. After all, I know I’m heading into a location that has been deemed a hot spot for paranormal activity. Upon entering the quirky bookstore, a friendly and inviting woman behind the counter smiled at me and graciously offered her assistance. I introduced myself, and she eagerly let me in on the many ghost stories that have happened within this old brick building.

While the exact history of the building is largely unknown, the owner of Downtowne Bookstore, Nadia, shared the little knowledge she has about its past. In 1927, this building was home to the newspaper Enterprise before merging with the well-known publication that’s still around today, Press Enterprise. At some point trophies were made here, and later it housed a record store. By 1974 it was a bookstore, which it still is today. Nadia has been here for 11 years, and throughout the years there have been countless instances that make her believe in the ghosts that inhabit Downtowne Bookstore. The first clue to the haunting was when Nadia and her sister opened up shop in ‘03. She explained, “On the top shelf, one book, we both saw it, eased out and dropped—all on its own, no earthquake, no wind, just all on its little lonesome.” Aside from this, Nadia frequently hears unfamiliar and unexplainable noises. Since then, Nadia and her sister have had multiple paranormal groups come to investigate the bookstore, and each group has had similar findings.

Nadia met the Cal~Para Research team when she was spending a day at the bookstore. Cal~Para had gotten a tip that all the downtown buildings lining Main St. are haunted, so they came by door to door offering their paranormal investigating services. Nadia graciously accepted, which started a long friendship of allowing the investigators to research this location frequently. The team has even installed a live-feed camera (a para-cam) in the basement, which catches footage between midnight and 4a.m. The first time Cal~Para Investigators came to the Downtowne Bookstore they caught an EVP (electronic voice phenomenon) on a digital audio recorder. An investigator asked the simple question out-loud to the spirits, “Can you come over?” The recorder picked up a clear EVP response, “No, I’m dead.”

Downtowne Bookstore has had multiple instances of validation of the paranormal world existing within it. A photograph that was taken when Cal~Para first investigated this location years ago shows a glowing orb hovering in the basement—a proven hot spot for spirit activity. The hard evidence as well as the personal experiences that Nadia and her sister have had in the store validate their beliefs. Nadia assured me, “We really believe something’s here.”

Keep an Open Mind

After speaking with Nadia, I knew it was time to meet the Cal~Para Research team. I looked around for the ghost hunters, but didn’t see them anywhere . . . there was absolutely no one wearing white jumpsuits or oversized ghost hunting machines that resembled backpacks. Instead, Nadia pointed me to her right, where a group of friendly and regular looking women and one man were sitting in a circle. Here I’m introduced to my paranormal team for the evening, Kd the director and lead investigator, Jean the assistant director and lead investigator, Sue the investigator and John the web developer and investigator.

Made up of a group of about 20 individuals, the Cal~Para Research investigators are far from the GhostBusters portrayed in television and movies. These confident members all bring different strengths and perspectives to the group. Many in the team are self-described as “sensitive.”

While you may be more familiar with the terms medium or psychic, these individuals prefer to avoid the preconceived assumptions that may come with these labels. Rather, they have different levels of sensitivity into perceiving the spirits and paranormal world. On the other hand, there are also those in the group who identify as open-minded with a healthy sense of skepticism. The team’s diversity is centered on an eagerness to find the supernatural and is dependent upon using scientific means to validate their findings. While many of the group members are sensitive, they never base their case-findings off of perceptions alone.

Running into ghost activity seemed highly likely for the night as the team informed me that three spirits hang out in the upper floor of the bookstore, while a child and unfriendly male spirit linger in the basement. Headed down to the dark and book-cluttered basement, we began our ghost hunting session sitting in a circle with multiple investigative tools in the center. Early on, the child spirit showed itself to us by lighting up the K-II (Electron Magnetic Field Meter) twice, which is Kd’s favorite way to communicate with spirits. While the sporadic illumination of the red, green and yellow lights on the K-II shows a spirit may be present, an even more spooky experience that absolutely confirmed the existence of the child ghost within the basement didn’t happened until after the investigation concluded.

Nearly every member of the Cal~Para Research team carries a digital audio recorder, because EVPs are more common that disembodied audible voices that you would hear first hand. The team members frequently get EVPs, hearing the otherworldly voices on the recordings alone, because it takes a lot of energy for a spirit to project their voice from their fourth dimension into our third dimension, but they come through audible on recordings. I personally recorded the entire interview session in the basement, asking the team questions about their different experiences as ghost hunters. It wasn’t until I went home later that evening that I noticed 15 seconds into our basement session that there was a small child laughing on my recording—loudly and clearly. Where had this come from? There were no computers or TVs on . . . let alone any children in the area. I may have been extremely skeptical coming into this experience, but there is no denying this child’s laughter on my recording when nothing was present that could’ve accounted for that sound—it was just five adults in the dark basement. I didn’t hear the laughter at the time, even though the recording sounds as if the child was sitting right next to me. I recall Kd informing me that the spot I chose to sit in was also where they captured a video of white mist hovering—apparently I had chosen to hang out in a known hot spot.

Evidence Doesn’t Lie

The paranormal team shared other stories from previous haunt sessions. One of the investigators, Sue, is convinced the supernatural world exists, because it has reached out and physically touched her. One time in particular, the ghostly touch was backed up by an EVP.

Sue explained, “We were all sitting around doing EVPs, somewhat in the dark, in a young girl’s bedroom. And I just was standing in the doorway and basically just hanging my hands down, and I felt something go like that to me. (tickles the palm of her left hand with her right fingers.) And I thought ‘that’s weird.’ I thought it could be bugs—it was a hot night and we had doors and windows open. But I said something, I said ‘something just touched me . . . touched my hand,’ and we had an EVP, and it sounded like a little child saying ‘it was me.’ So that probably was my most compelling [evidence that the paranormal world exists], because I thought something and we got it confirmed.”

It is common for the team to collect evidence; however the evidence frequently disappears without reason. For example, Jean once captured a shadow dart across a room on her video camera. She went home and shared the tape with her daughter. When she went back to save the video, the three frames that the spirit was originally in had gone completely black—the image had disappeared. John is a skeptic who joined Cal~Para Research to find proof firsthand. He explained, “Once I turned 50, I started thinking about dyin’ so I’m thinkin’ what happens afterwards?” His ultimate goal is to capture a full-bodied apparition one day. On two separate occasions John has caught a visual mist on his video camera, and when he went back to save the image, it was gone. There is no way to explain why this happened without spirit intervention.

Going into this experience skeptical, I was impressed by the findings of the paranormal investigators, as well as my own. After having first-hand experiences and collecting indisputable evidence, my skeptical side has shifted towards open-mindedness. And although I didn’t run into any life-threatening or utterly terrifying events (which I’m grateful for to say the least), I did learn a great amount about the ins-and-outs of ghost hunting.

If you’re convinced that the house you’re living in has some unwanted guests, feel free to call the Cal~Para Investigators. Not only is their service absolutely free, but they pride themselves in keeping your case 100 percent confidential. You may find out that the lingering spirit is really your grandmother watching over your children, which is a common finding. The best advice Cal~Para Research shared would like to share is that you shouldn’t tamper with what you’re not educated about and experienced in when it comes to spirits. After all, you wouldn’t want a spirit attaching itself to you. And one other word of advice . . . whatever you do—don’t burn your Ouiji Board.

www.calparainvestigations.wordpress.com

Originally Published by IE Weekly on October 24, 2013: http://ieweekly.com/2013/10/feature-stories/apparition-experts/

Gems of the Desert

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Gems of the Desert

Appreciating the Beauty Behind Wonder Valley’s Forgotten Structures

By: Jamie Solis

Exploring the deserts that lie on the outskirts of San Bernardino County, you will certainly run into some odd findings. Whether it’s the Wigwam Motel, where a teepee can serve as your next comfy slumber or the once thriving city of Zzyzx, which has a name alone that perplexes passersby heading out to Las Vegas, the desert has always produced quirky and obscure structures for us to gaze at. If you’ve ever traveled to the Morongo Basin east of Twenty-nine Palms, near Joshua Tree National Park, then you may have run into an entire cultivation of abandoned homes that litter the desert in a scattered about and chaotic kind of way. Welcome to Wonder Valley, California.

Kim Stringfellow is a visionary who felt inspired by the culture and history behind these small structures. She has presented a dedication of works, all under the name Jackrabbit Homestead: Tracing the Small Tract Act in the Southern California Landscape. Over the last six years since its artistic conception, Jackrabbit Homestead has graced the likes of numerous galleries around California, from Joshua Tree to Berkeley, now finding its way to IE’s very own UCR ARTSblock’s Culver Center of the Arts in Riverside. This installment is composed of an exhibition of photography, a published book and an online multimedia project, which includes an interactive audio car tour—giving you the chance to learn the importance of these homesteads first-hand from historians, local artists and residents.

Wonder Valley brings a whole new meaning to the term humble abode. Many small buildings that once served as someone’s home sweet home are now four walls cluttered with decaying pieces of drywall. Other structures have nothing left but a skeleton of their decomposing wooden framework. Some homes have fallen over completely—ultimately crumbled into the ground after enduring decades of abuse from nature’s elements. Often these places appear to be stuck in time, where old broken down electronics line ruins of once-thriving households. Classic broken down trucks, dated appliances, tangled mattress springs and even turned over boats are among the past’s prized possessions that now only serve as trash of the desert.

Looking at some of these rotted out places, you can’t help but wonder who used to belong to these American Dreams? Who was willing to invest their hard earned dollars towards a piece of dry and desolate land? Life’s pressures often include a feeling that owning property is a necessity, and to completely abandon these homes was forgoing a once living dream.

The Small Tract Act of 1938 was the last time the U.S. government offered up an inexpensive way for families to buy property. These lots of land were up to five-acres and available for purchase to those willing to do something with the land and in this case the most viable option was to erect a small homestead. These little shacks were pop-up-homes in a sense, often taking only one day to complete their construction throughout the ‘40s to‘60s. Many people who decided to come out to Wonder Valley were veterans of World War I. Veterans came back from the war seeking a cure to heal their lungs and doctors recommended the warm and dry air. Building a little homestead in the middle of San Bernardino County seemed like a great opportunity at the time, despite the harsh climate.

Those settling in this new area were not in for easy living. To this day, water is still not readily available to the settlers of this region. Coyotes and scorpions crawl across the hot desert grounds in search for their next meal, and the weather is known to be either blazing hot or freezing cold. While these deserted homes prove that the majority couldn’t stand the elements, there are still a handful of people that inhabit these homesteads, whether it is for their daily living or having a breathtaking art studio to call their own. Today, many still see something appealing in this area that cannot be found somewhere else, whether it’s the virtually unlimited space or the absolute freedom from urban sprawl.

Standing inside an old shack, the open windows frame the beautiful and desolate view of this wasteland. These roofless buildings serve as an open canvas to budding artists and individuals looking for an opportunity to absorb the charm of nature. In the end, beauty really is in the eye of the beholder, so check out these forgotten gems of the Morongo Basin.

Jackrabbit Homestead: Tracing the Small Tract Act in the Southern California Landscape at Culver Center of the Arts, UCR ARTSblock, 3824 Main St., Riverside, (909) 827-4787; artsblock.ucr.edu. Thru Sept. 28. $3. 


Originally Published by IE Weekly on August 29, 2013: http://ieweekly.com/2013/08/arts/arts-feature/gems-of-the-desert/