Thursday, January 16, 2014

ALUMNI SPOTLIGHT - Andrew Hem

ALUMNI SPOTLIGHT
Andrew Hem

SMC Alum meets with First Lady Michelle Obama by invitation from The White House Historical Society
By: Jamie Solis

Andrew Hem is a great example of a Santa Monica College Alumnus who went on to accomplish many impressive achievements. Coming to SMC from Santa Monica High School class of ‘99, Andrew earned an Associate’s Degree in Liberal Arts after realizing that focusing on his passions would help him attain the success he’s always dreamed of. This summer, Andrew was one of five chosen artists out of the whole country to be honored by The White House Historical Society for his captivating paintings.

Andrew first came to SMC without a clear intention of what he wanted to pursue. With a background in street art, he decided to take his very first art class, which was figure drawing. After receiving direction and support from numerous SMC professors, including Professor Marc Trujillo, Andrew explains why he decided to focus his education on fine art, “It was an easy transition for me. Before that I only did graffiti, and I mainly did lettering. As soon as I made that transition, it was easy for me to change to figure drawing because of the shapes and cylinders—graffiti is all about shapes and cylinders.” Andrew is very grateful to Professor Trujillo, as well as many other SMC professors that were dedicated to encouraging him to get better at his craft.

The drawing classes Andrew took at SMC helped him reach the level of professionalism he is at now, because it gave him the strong drawing background that was necessary to strengthen his painting. After earning his AA degree, Andrew transferred to study at Art Center in Pasadena. He now considers himself a figure painter, with a focus on stylized figures. Receiving support and guidance at SMC helped Andrew work towards many prestigious endeavors, which include landing a visit to The White House, and traveling around the country giving speeches to art students.
The opportunity to go to the White House was so unreal, he initially disregarded the invite email he received from the society as a scam. Once his friend called The White House and confirmed the event honoring him was in fact legitimate, he jumped at the opportunity to attend.

While receiving his honor at The White House, Andrew met some of his idols, which solidified how far he’d come in the art world. Not only did he get to shake hands with Michelle Obama, Andrew was in shock when he saw his idol of the art world stepping out of a taxi cab, and walking towards the line he was standing in. Andrew has looked up to artist Barry McGee since he began practicing art when he was a young teenager. Being able to meet and talk with his all-time hero, and at The White House of all places, was an amazing encounter for him. He described it as the best experience in his art career so far. Since his recognition, he hasn’t stopped traveling, and has continued to be invited to give lectures nationwide.

Although Andrew is self-described as shy and not very talkative, he has been giving lectures at art schools across America. His first lecture was at Otis College of Art and Design, where he spoke in front of approximately 400 people. Not only did he give a speech, he also painted a demo that was projected on a big screen. It was a challenge he had to overcome, because he was worried if his painting was good enough, and unsure if he’d be able to keep the crowd entertained for four hours—he didn’t want the crowd to fall asleep watching paint dry. He’s grateful for the speech class he took at SMC, because it still helps him in situations like this today. Remembering the basics like making eye contact with everybody and to constantly practice his speech are pointers he has never forgotten as he continues to lecture across the country.

Since graduating from SMC, Andrew has been asked to paint many large murals, including one on the eBay building in downtown Los Angeles. He plans to continue painting everyday and working hard to improve his techniques. He knows that it’s a struggle being an artist, whether you’re a rapper, photographer or in any other field, because you’re constantly trying to innovate and reinvent yourself. He wants to do something amazing and live beyond the expectation that he’s already set. Andrew will continue to paint more murals, because it’s something he really enjoys. Overall, there’s nothing he wants more than to become a master in his field.

When Andrew is not pursuing his life as a figure painter indoors and outdoors, he enjoys spending the little free time that he has riding his scooter, watching movies and hanging out with his girlfriend. While he says his hobbies aren’t too impressive, being invited to meet with Michelle Obama at The White House is pretty monumental.

For more on Hem's work, go to the source: www.andrewhem.com


Originally Published By Santa Monica College in November 2013: http://alumni.smc.edu/News/NewsDetail/2051

Dual Perspectives


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Dual Perspectives 

Any Which Way You See It

By: Jamie Solis

Intriguing artwork has a way of connecting you with an inanimate object, creating an experience that allows you to feel part of something universal. A light installation by Hiromi Takizawa entitled “ULTRAVIOLET” is an alluring medium that gives us the feeling we are melded with a piece of art that is actively improving upon our overall well-being. When you first approach this work by Takizawa, feelings of health and happiness are produced because it is aglow—as you bask in the illumination of this piece, you are reminded of how practices of light therapy convey the notion that light is therapeutic and beneficial. After all, the sun is a great source for our daily dose of precious Vitamin D.

Purposefully placed facing the downtown pedestrian mall in the storefront window of UCR Culver Center of the Arts, this work is considered much more than just a sculpture—this installment conveys permanence beyond something that will be forgotten once it’s gone. The artist presents many merging themes of where she draws her inspiration, which range from the places she has called home to one specific period of art where dynamic light was given the freedom to roam in simple spaces. Not only is its placement within this hub of cultural excitement deliberate, but the time of year this work is being displayed is intentional as well. During these months, the days are shorter and the nights are long, giving “ULTRAVIOLET” a greater period of time to exude its bright beauty. This season also reminds Takizawa of the fall when she was living in her hometown of Nagano, Japan.

As an artist who is intrigued by duality, Takizawa uses this piece as a vehicle to materialize the merging of her Japanese heritage with the intriguing and obscure encounters she has found in the Western hemisphere. The way she brings together this opposing partnership between the two different cultures is by creating more than one way the viewer to see “ULTRAVIOLET.” Demonstrating this conflicting relationship, you are given the option of witnessing her work from clashing perspectives—you may see how the illumination of the transparent cube varies dependent upon which space you secure for viewing it.

Whether you’ve come to witness “ULTRAVIOLET” as the sun sets, or you happen to find yourself on the illuminated pathway as you head to the City of Riverside’s annual Festival of Lights, from the outside the exhibit, you’re viewing an installation that is a luminous sight—the transparent cube Takizawa designed conducts multicolored neon lights that illuminate its form. Vibrancy and shadows are broadcasted through the glass and out into the walkway that lies in front of the building it is projected from.

Once you enter the modest building and walk around to the back of the installment, you get a completely rivaled outlook as you’re forced to peer through a large window portal. What was a diffused wash of light is now represented only from its origins—stark and sharp color is glowing off the 12 neon rods that are responsible for generating this flush of pinks, greens, yellows, blues and crisp white. Hanging plants create a mural of shadows against the lightly illuminated space surrounding the rods, highlighting how different standpoints will result in a completely different representation of the same subject. This view shows that if you take a step beyond your initial reaction, and take a deeper look at any subject, relativity becomes evident and perspectives tend to shift.

The way light moves and dances throughout a simple architectural place was clearly influential to Takizawa in the conception of this installation. It was during the minimalist light and space movement of the 1960s that these themes started to emerge in the art world. Allowing light and vibrant colors to create depth and texture within an otherwise simple environment was revolutionary, and pairing an abundance of brilliant light with personal themes, Takizawa embarks on a revolution all her own. Let yourself fall into the illusion Takizawa has created, and reflect on how one subject can look vastly different all depending upon where you’re standing.

ULTRAVIOLET at Culver Center of the Arts, UCR ARTSblock, 3824 Main St., Riverside, (909) 827-4787; artsblock.ucr.edu. Thru Jan 4. $3. 

Originally Published by IE Weekly on November 27, 2013: http://ieweekly.com/2013/11/arts/arts-feature/dual-perspectives/

Giving Thanks


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 Giving Thanks

Sharing the Values of the IE’s Native American Tribes

By: Jamie Solis

Before the arrival of Europeans to North America, Native Americans lived in harmony with nature, graciously taking only what they needed from the land in order to sustain their lives. Bound into slavery and onto reservations, many customs and traditions were forcibly stripped away from Native Americans, including their ability to access indigenous and healthy foods. In the spirit of Native American Heritage Month, we’re highlighting the native tribes that currently live in the Inland Empire, with a focus on honoring their customs surrounding indigenous foods. Native Americans continue to have a strong connection with food and the environment, which is a lifestyle modern Americans can learn from—we tend to be disconnected from our Earth and under the illusion that we in fact own it

November is Native American Heritage month, so there’s no better time to honor those native to this beautiful land. As you sit down to feast with your family for Thanksgiving and participate in traditions like sharing what you’re thankful for, you may be reminded of the first Thanksgiving. Your history book was filled with pictures of pilgrims and Native Americans smiling from ear to ear in front of a plethora of the same food you’re currently enjoying. If you choose to take a more analytic look at the origins and tales that surround the stories of America’s rediscovery, then you can break out from the fantastical myth of this holiday. Only then, you’ll be able to face the harsh reality that the relationship between Native Americans and Puritans was often non-peaceful and brutal.

Your History Lesson

Long before Europeans settled into what is now called the United States, Native Americans lived a simple life, where they hunted and gathered meals as-needed and used simple methods of preparation. Main dishes consisted of a local protein, whether it was fowl, fish or a variety of wild game. When hunting provided an overwhelming supply of food, they would preserve the meat by the means of dehydration or smoking—sure to never waste what they had taken. Often vegetables and meats were mixed together to make stews, and they prepared special dishes for cultural celebrations. The Inland Empire is home to many groups of Native Americans, including Cahuilla, Serrano and Cherokee tribes—all of whom have roots deeper in this soil than the century-old trees. Their food customs are unique, as the regions of each tribe dictate which ingredients are accessible. While corn is the most typical representation of the Native American cuisine, there are many other integral items that make up traditional dishes.

Many modern-day Cahuilla Indians have lived in Cathedral City, Rancho Mirage, Riverside County and the mountains of Palm Springs for thousands of years. With more than 31,500 acres of ancestral lands, the Cahuilla preserve a habitat for Bighorn sheep. According to Michael Hammond, the director of the Agua Caliente Cultural Museum, time-honored foods of the Cahuilla Tribe aren’t typically consumed today. Their indigenous cuisine includes, “Mesquite beans, acorns, chuckwalla, rabbits, quail, sphinx moth larva, chia [and] cactus blossoms to name a few.” Their environment provided a plethora of fresh resources. A food that is customarily used in cultural celebrations is called weewish. This is ground up acorn leached with water. Its resulting texture resembles the mashed potatoes you’d find on your Thanksgiving table, but its unique flavor does not taste anything like potatoes.

The Serrano Tribe also resides within the IE. The valleys, passes, mountains and highlands of San Bernardino, as well as west into the San Gabriel Mountains, North Baldy and Big Bear Lake were all within the territory of the Serrano. A traditional Serrano food called wiic, which is made from the acorns of the black oak tree is still prepared today, especially in celebrations surrounding renewal. The blooms and stocks of the yucca plant are harvested annually. Deer, rabbit, pine nuts and Manzanita berries are also foods native to this tribe and region.

While those of Cherokee heritage living in the Inland Empire are residing outside of the traditional Cherokee boundaries, a non-profit community that is dedicated to preserving the cultural heritage of the Cherokee Nation can be found within the Inland Empire, with a presence most heavily centered in San Bernardino and Riverside. The Cherokee Nation publishes an online cook book that highlights cooking traditions, indigenous dishes and current renditions of time-honored Native cuisine. Simple foods that are commonly found on the Cherokee table are hominy, dried corn, dried fruits, bean bread and wild meats.

Feeding Your Soul

Food isn’t just for nourishing one’s body—it is also an important element for spiritual celebration, social fabric and maintaining a connection with nature. Men are typically responsible for bringing in rabbits and other game animals, while cooking food for the family is largely a duty held by women in Native American families. These largely matrilineal societies are set up where it’s the mother’s role to provide nourishment for her family. She provides the infant’s first meal through nursing, and she continues to lovingly nourish anyone who comes into her home. Therefore, many ancient tribal stories relate food with their familial and spiritual ties.

One tale from the Serrano tribe, specifically the Yuhaviat clan, maintains a connection of Big Bear Lake to their people. This is because the water, plants and trees that supply food in the area are all part of their creation story. They believe their creator, Kruktat, was ill and dying high in the mountains of Big Bear Lake. When he died, the first people mourned his death, and their grief turned into pine trees. These trees began to provide nuts and acorns that fed the families of the Yuhaviat clan. This area still provides the pinon nuts and other foods from the plants that were traditionally harvested by the Serrano people.

Another traditional story that represents the intrinsic connection between nature, family and food comes from the Cherokee Nation. The first woman of the Cherokee people was named Selu, also known as the “Corn Woman.” She lived with her husband and two sons. In the story, her boys discovered the unbelievable origin of the abundance of corn their mother returned home with. They witnessed her placing a basket on the ground, shaking herself, and the corn falling into the basket from her body. They thought she had to be a witch, and they decided to put her to death. Selu read her son’s thoughts and told them precise instructions they must follow after killing her to ensure they still received corn. However, the boys executed Selu’s instructions incorrectly and because of that, corn now needs to be planted and tended to in order to grow. These stories demonstrate how deeply food is integrated into the belief systems and social fabric of Native American communities. They are sure to practice respecting nature, and they always leave enough resources behind to ensure next year’s harvest.

Although the Serrano people use animals for food, they treat nature and animals with the upmost respect, because they believe that animals and plants were once people who have transformed into other forms. According to a Serrano legend, the origin of deer (a staple in Serrano’s diet) came from people who had transformed into deer by their Lord’s request. The appreciation of the sacrificing of each animal’s life was not taken lightly. Large game was only killed after special ceremonial rituals were performed. Often the rituals included prayers, singing and dancing that lasted throughout the night and into dawn. Plants were given this same type of respect because of ancient stories and traditions. According the Cahuilla people, medicinal plants also came to be through a transformation of people at the request of their Lord. You’ll see that in Native American culture, nothing is taken from the land without a sense of gratefulness.

Celebrating Tradition

There are many events where you can celebrate ancient and modern traditions of Native American culture in the IE. Next week, the Cabazon XXXII Indian Powwow is happening at Fantasy Springs Resort Casino. Rain or shine, this powwow is being held inside their event center, starting on National Native American Heritage Day, Friday, Nov. 29th and going throughout the weekend. Contrary to popular belief, Powwows are not just for Natives, non-Natives are more than welcome to come and join in on the celebration as well. There will be arts and crafts, food, shopping and traditional singing and dancing, as well as inner-tribal, which is an opportunity for non-Natives to join the circle and dance alongside Native Americans to the drum beats.

Celebrating with singing and dancing has always been a way for Native Americans to show their thanks for the harvest—it’s a colorful way to show gratefulness for a successful hunt and abundance of crops. The Director of Cultural Affairs for the Cabazon Band of Mission Indians, Judy Stapp, shared with the Weekly, “Native Americans have always have taken care of Mother Earth. They would never over-harvest. They knew they had to take care of Mother Earth, because Mother Earth took care of them.” If you’re interested in giving thanks for a lifetime of great food, and maybe even trying out some new Native dishes, Stapp informed us that this celebration would not be complete without some favorites.
Food booths will be selling many Native foods, including fried bread. This Native American tradition in California and throughout the United States somewhat resembles a puffy tortilla that is then filled with meat, honey or modern fillings like strawberry shortcake. There are plenty of meats prepared over an open fire, as well as a vendor selling buffalo burgers, buffalo being a very traditional Native meat. Another booth specializes in Navajo food, which usually consists of lamb with green and red chili. Bring the family to experience the food and dance, and leave with an understanding of Native cultural values.

Grateful Heart

American culture is vastly different from the traditional ways of the Native Americans. While they had a strong appreciation for nature and its many gifts that sustain life, modern day Americans tend to take Mother Earth for granted, with an abundance of travesties to our environment—including industrialized “necessities” that pollute the air and water and factory farms that exploit billions of animals that are treated as commodities instead of living beings. Part of the Native American culture that still exists today is utilizing natural resources, without taking more than what’s needed to sustain life. It is important to appreciate and emulate these fading cultural values in our modern society. With Thanksgiving just around the corner, take the time to give thanks for Mother Earth’s life-sustaining gifts.

Originally Published by IE Weekly on November 21, 2013: http://ieweekly.com/2013/11/feature-stories/giving-thanks/

Mainstream Momma

Mainstream Momma 

By: Jamie Solis
 
Given the nickname of “The Martha Stewart of Marijuana,” Cheryl Shuman is an extremely successful business woman who is becoming more and more well-known in the cannabis industry every day. Diagnosed with terminal cancer in 2006, this mother of two turned to MMJ after she ran out of hope. Using cannabis not only improved her quality of life, Cheryl believes it may have also led to her recovery.

This experience sparked Cheryl’s realization that the prohibition of this plant is a lot more dangerous than allowing its proper regulation. She has made it her goal to aid in its legalization stating, “I want to change the world, and I want to see cannabis and hemp legalized by 2016.”
With an impressive background in lifestyle, entertainment and consumer marketing, Cheryl is on the path to changing the image of the cannabis world. Appointed as the Executive Director for Beverly Hills NORML, and as the founder of The Beverly Hills Cannabis Club, she is opening doors to the mainstream media in print, news, radio and television that have otherwise been closed to even the biggest players in the cannabis industry. She is spreading the good word about medical cannabis through concise television interviews and by securing cannabis product placement with Marlon Wayans Company’s entire portfolio of film and TV projects, as well as shows like Wilfred, The New Ricki Lake Show and more.  
Equipped with knowledge that’s changing the minds of the most skeptical and uninformed, Cheryl is bringing awareness to the extreme healing properties of non-psychoactive, highly concentrated cannabidiol (CBD) products. When she first mentioned that she used CBDs on the Katie Couric’s daytime talk show Katie, the vast audience was absolutely shocked that there is a healing form of cannabis that doesn’t get the patient high. From there, Cheryl shared her groundbreaking information with The View, 20/20 and more—the information was brand-new in mainstream society. Not only did she reach over 100 million viewers in one day of spreading this awareness, the ratings for ABC on the day she appeared were up by 870 percent—proving that these life-saving facts are well received by the masses.

One of Cheryl’s idols is Pauline Sabin, the woman who is recognized as a leader in overturning alcohol prohibition after forming the Women’s Organization for National Prohibition Reform. Cheryl resembles a modern day Pauline Sabin for the cannabis and industrial hemp industry, as she strategically involves women and mothers who are MMJ patients in her revolutionary process. She knows that by bringing upon positive change in the minds of the masses is by first changing the minds of these two specific groups. Her perseverance couldn’t have better timing, she explained how our industry is at a tipping point right now, “The latest study just came out that we’re at an overall wide stream acceptance of 58 percent overall for full legalization.”

Not only will realizing her goal help improve the quality of life of patients through healing, legalizing and regulating cannabis will also heal our desperate economy. By building legitimacy and recognition in every American household, Cheryl Shuman is the brave woman who is blazing a trail towards legalization and international acceptance of cannabis.

Great Allies

Considering these great happenings, Cheryl’s formed an alliance with Medical Marijuana Inc. and HempMedsPX in hopes of taking over the CBD market. HempMedsPX is the producer of oil that was recognized by the High Times Cannabis Cup for having the highest CBD concentration ever tested, 98.3 percent. Cheryl and Medical Marijuana Inc.’s goal is to increase the quality of life for medical cannabis patients everywhere, and CBD is exactly how they’re going to be successful. Cheryl’s optimism towards this matter is captivating, “Imagine never having to hear another story about a child being sick and dying because of a lack of CBD, we can fix all that.”

Originally Published by Culture Magazine on December 5, 2013: http://ireadculture.com/article-3138-mainstream-momma.html

Brave and Flourishing

Brave and Flourishing

Cannabis Aids in the Battle Against Young Mykayla’s Struggle to Live

By: Jamie Solis

Memories of childhood should be of playing games in the neighborhood and living an overall carefree life. However, when young Mykayla from Pendleton, Oregon was diagnosed with T-Cell Acute Lymphoblastic Leukemia on July 14, 2012, doctors were sure that her little life would face more hardships than happy moments. Thankfully, her parents Erin Purchase and Brandon Krenzler have turned to medical cannabis to ensure Mykayla enjoys a healthy and lighthearted life.

After the discovery that Mykayla had this extremely rare and aggressive form of childhood cancer, it was apparent that an equally aggressive medical treatment of chemotherapy and steroid induction therapy would be necessary. Mykayla immediately faced horrible side effects after starting her regimen, which included deep tissue and muscle pain, intense nausea, alopecia, immune deficiency, lack of appetite, peripheral neuropathy, depression and more. Mykayla’s parents did not hesitate in obtaining her recommendation to use medical cannabis, which resulted in alleviating virtually all of Mykayla’s symptoms. This success has given them the upmost confidence in their decision; “We made the choice to use cannabis with our daughter, and we feel it has been the best choice in her treatment that has ever been made,” Krenzler said.

Erin and Brandon are very upfront and honest about the multitude of cannabis forms that their now eight-year-old daughter ingests on a daily basis. They juice cannabis flowers and leaves off plants from their garden, which yields an abundance of high cannabidiol (CBD) juice. Every day she uses full extract cannabis oil and liberal amounts of topical creams for pain relief and anti-inflammation. Mykayla enjoys an array of sweet edibles—what child wouldn’t like a cereal treat or brownie? Her parents also prepare her meals using cannabis infused olive oil, butter or honey.

With psychoactive and non-psychoactive forms of cannabis dominating the market, there is stronger opposition against providing children with psychoactive forms of cannabis. However, considering the fact that cannabis is being utilized by children who have been recommended the plant by their physician for medicinal purposes, the psychoactive properties should be embraced. The only alternatives children have to cannabis are pharmaceutical drugs that also bear psychoactive properties. These drugs, such as oxycontin, hydrocodone, morphine, etc. are also known for their harmful and negative side effects, as well as having a risk of overdose. While some forms of medical cannabis have psychoactive properties, they are without life-threatening side effects.

Brandon and Erin encourage parents to trust their instincts in treating their sick children, and to be unafraid in advocating for what is right to treat their child’s ailments. “We recommend to all parents with children suffering from debilitating conditions that they should consider cannabis as a treatment option, and we feel that it should be offered as a first line treatment for many conditions that children suffer today. We proactively advocate for the parents’ right to choose cannabis as a medicine for their child,” Krenzler said. After all, it is a common notion that mother knows best—maybe it’s time to listen.
To learn more about Brave Mykayla visit her website: www.bravemykayla.com or follow her on Facebook: www.facebook.com/bravemykayla.

THC vs. CBD

The full extract cannabis oil Mykayla uses is high in THC, which is the psychoactive component of cannabis. Brandon explains why they are confident in giving their daughter this specific form of cannabis, “We are unafraid of the psycho-activity inherent in the cannabis plant, because we believe that a positive state of mind is essential during cancer treatments. The psychoactive properties deliver a ‘high’ that is very euphoric. This euphoria creates a sense of general well-being that promotes an overall positive state of mind.” This allows Mykayla to lead a happier life, and because she has built up a tolerance to the THC, it does not debilitate her, but rather compliments her lifestyle as a healthy and active child.

Originally Published by Culture Magazine on Jan. 2, 2014: http://ireadculture.com/article-3273-brave-and-flourishing.html

Beyond Traditional Customs


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Beyond Traditional Customs

Contemporary Artists Demonstrate Their Visions of Día De Los Muertos

By: Jamie Solis

Mourning the death of a loved one is typically a sad and difficult time for most; however Día De Los Muertos is a refreshing celebration for the afterlife of the deceased that’s infused with liveliness and positivity. This sacred holiday is celebrated worldwide—though many cultural roots in the holiday stem from Latin American countries, with festivities filled with music, food, dancing and most importantly altars (called ofrendas) that honor friends and relatives that have passed on. Altars are typically adorned with photos of the deceased, flowers and sugar skulls. The offerings of pan dulce, as well as the deceased’s favorite foods and beverages are also common. Incense is burned to help guide the spirits home, while one candle is burned for each individual that has passed. To accompany Riverside’s citywide festival celebrating this meaningful holiday, guest curator Cosmé Cordova presents “Transcending Traditions: Día de Los Muertos | Day of the Dead” at the Riverside Art Museum.

“Transcending Traditions” highlights age-old customs of Día De Los Muertos, while allowing artists the flexibility to interpret what the holiday means to them personally. Made up of artworks beyond the traditional altars that are commonly used for honoring the deceased in Mexican traditions, exhibited cultural centerpieces take on various elaborate and colorful forms. Channeling centuries of Aztecs who have celebrated the remembrance of friends and family members that have passed away, “Transcending Traditions” is comprised of printmaking, ceramics, textiles, drawings and paintings made by artists from Southern California, Arizona and Mexico. While there is an immense amount of diversity within this exhibit, there are undoubtedly recurring themes between unrelated works.

Towering high above your head, a thin and bony skeleton resembling Jack Skellington from The Nightmare Before Christmas is the perfect greeter, posted just outside the museum’s entrance. This structure of bones, rocking a grin that spans the width of his face, is riding atop a massive bicycle with a frame made out of bottle caps. The artist responsible for this piece is Martin Sanchez—owner of the restaurant Tio’s Tacos. When he is not being praised for his authentic food, he’s known for creating alternative and large-scale art installations like this one. If you’re assuming this giant skeleton is serving a frightful purpose just in time for Halloween, then you’d be widely misinterpreting its presence. There’s nothing morbid or frightening about Day of the Dead decor—the sugar skull represents deceased loved ones. Often decorated with the name of the deceased on the forehead, these skulls are enhanced with bright colors and whimsical designs like stripes, swirls and dots. Like the bicycle-riding skeleton, every piece in this exhibit fuses traditional idols with modern techniques and interpretations.

Two drawings by Antonio Pelayo expose his conjoined inspiration of honoring the traditional Mexican culture associated with Día De Los Muertos, integrated with a modern representation of the holiday. This could stem from the background of this talented artist, growing up in Mexico before moving to the U.S., where he currently resides. One of his drawings, Flores de Muerte, is of a beautiful Latina woman with sugar skull face makeup. The colorless model is holding a confident and sexy pose while wearing a traditional sombrero on her head. While marigolds are known as the flowers of the dead because they’re believed to help the spirits of the deceased find their homes and altars, the artist has chosen to adorn the hat with pink, red and blue roses instead, which add a meditated splash of color to this work of art.

As Catholicism has a strong presence in the Latino community, it is not surprising that religious idols are used by various artists. One example is in an extremely convincing and lifelike depiction of a woman’s eyes close-up entitled The End by Pelayo. The entrancing eyes convey a spiritual undertone for a variety of reasons. The most obvious is the faint cross penciled between her eyes. Beyond that, her wet and fear-struck eyes look as if they are coming face to face with their end. The beautiful yellow, orange and red bursts that resemble fireworks from one right eye that is full of flame while the other eye is mostly white, giving you the idea that she is staring into the eyes of the divine. With her eyes exposing such beauty in their final moments, maybe there is nothing to fear in the end. Another great piece by Carlos Magallanes uses the cross as the focal point, rather than leaving it as an interpretive icon. This commanding, intricate cross with gold detail and a red and black emblem in the center has a strong message of religion as the focal point, rather than leaving this conclusion up to the viewer to interpret.

Whether you find this as an opportunity to connect with a culture that is familiar to you, or a chance to become engulfed in a vibrant celebration that is new and exciting, “Transcending Traditions” will transport you into an understanding that we all have in common—one that values commemorating those no longer with us that have made our life journeys possible.

“Transcending Traditions: Día de Los Muertos | Day of the Dead” at Riverside Art Museum, 3425 Mission Inn Ave., Riverside, (951) 684-7111; www.riversideartmuseum.org. Thru Nov. 25. $5.

Originally Published by IE Weekly on October 31, 2013: http://ieweekly.com/2013/10/arts/arts-feature/beyond-traditional-customs/

Fall Beauty Guide

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Fall Beauty Guide

Our Fave Picks for Healthy, Natural Beauty

By: Jamie Solis 

The marvelous hemp plant—a true gift from Mother Nature for countless reasons. For over ten thousand years this amazing plant has been utilized for a variety of purposes from making strong ropes to being a key composite in biodiesel fuel. Hemp oil is also a long kept beauty secret, because of its healing power and anti-aging properties. It is known for promoting new cell growth once it penetrates deep into the skin because it is packed with essential fatty acids. For these reasons and more, hemp is an ingredient that is used in a variety of beauty products. With fall approaching, we’re going to share with you some of our favorite hemp-based products you can use to make your season all the more beautiful.



SKIN:

The Body Shop offers an entire line of hemp skin care products that serve as hydration for the driest of skin. The Hemp Hand Protector paired with the Hemp Face Protector will keep overexposed sun-kissed skin from becoming more damaged. These hemp based products have soothing, hydrating and skin protecting properties. Composed of all natural ingredients, the skin on your hands and face will feel more flexible and firm than ever before after just a couple uses. This all-natural product is known to reverse any harm caused by synthetic chemicals found in most beauty products, causing you to glow with radiance. www.thebodyshop-usa.com

Our friends at Earthly Body have exactly what you’re looking for with all types of Hemp-based cruelty free products to keep your skin smooth, hair shiny and tattoos healed. One product that we recommend is their Miracle Oil, which truly holds up to its name. This Miracle Oil has the ability to treat even the most uncomfortable skin conditions, known to heal cuts, insect bites, sunburn, scars and more. The ingredients in this miracle oil cause it to be a natural antiseptic, as well as an anti-inflammatory for most types of skin-related ailments. www.earthlybody.com

Our friends at United Patients Group recommend Hemp Hemp Hooray, an Award Winning Skin Care Line that is made with Hemp Seed Oil, which uses only pure and organic hemp. In their diverse line of products, there are two that you cannot live without. Their Daily Moisturizer and Night Cream will together give your face the nourishment it needs 24 hours around the clock. They assure you that, “If you have shingles, psoriasis, eczema or if your skin is acne prone, dry, cracked, damaged or any other problem skin condition you need help with, you've landed in the right place.“ Be sure to check out this line, as they have something for every part of your body. www.unitedpatientsgroup.com/hemp-hemp-hooray

There is nothing more uncomfortable and obnoxious than dealing with razor burn—for men or for women! You don’t have to worry any longer, because Bottega della Canapa’s Hemp and Almond Oil After Shave Oil is ideal for bringing a little relief to your skin following a shave. Utilizing the natural healing power of hemp oil, this after shave serum will moisturize the most sensitive of skin. Not to mention, it will leave your skin not only un-irritated, but deeply moisturized and silky smooth. Once again, we love this product because it is not tested on animals. hempology.co.uk

LIPS:

Hemp Organics brings us the latest and greatest in lip color. They have a line of Lipstick, Lip Liners, Lip Tints and Lip Gloss that use mineral pigments that are natural and reflect colors you’d find in Mother Nature herself. These USDA Certified Organic beauty products each come in a large assortment of vibrant and subtle colors, matching the skin tone of each individual. Not only known for enhancing natural beauty, this line of lip care will also deeply moisturize your lips and keep them from cracking. www.colorganics.net

Dr. Bronner’s is known for their hemp skin care products. Our personal favorite is their collection of Organic Lip Balms. They use USDA Certified Organic Ingredients, because as they say, “ . . . what you put on your lips goes in your body.” They have four flavors to choose from: Organic Ginger, Peppermint, Lemon Lime and Naked. We recommend the Peppermint, because like their soap, not only does it smell delicious, but it leaves your skin feeling tingly, as if you just sucked on a candy cane. If you love the lip balm, feel free to try one of their other amazing products. www.drbronner.com

HAIR:

Whether you’re looking to tame your mane or sculpt a style that stays, Alterna Haircare delivers a line of Hemp Hair products that will shine, style and even thicken your hair. The Hemp NATURAL Strength Shine Shampoo and Conditioner will leave your hair with a healthy shine, as well as moisturize your hair with antioxidants and vitamins that can over time give your hair more strength and length. Paired with the Hemp NATURAL STRENGTH Firm Hold Gel, you can lock your locks into a permanent style, eliminating any chance of flakiness or frizz, even after a long day. Check out this fantastic line, as this is only a sneak preview into their wide variety of hair care. www.alternahaircare.com

Originally Published by Culture Magazine September 5, 2013: http://ireadculture.com/article-2929-fall-beauty-guide.html

Apparition Experts

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Apparition Experts

IE’s Paranormal Investigation Team Takes on Downtown Riverside

By: Jamie Solis

What would you do if there was a perverted spirit in your bathroom who stole your money and shared a preference of you wearing silky panties? These aren’t obscure occurrences from horror films like The Conjuring or The Shining . . . these are documented findings of a paranormal investigation team right here in the Inland Empire.

As humans born into this chaotic world, we’re given one guarantee with life, and that is the inevitability of facing death one day. There are countless uncertainties surrounding our encounter the grim reaper, and it’s quite normal for one to develop a curiosity into what the afterlife entails. Despite your religion, beliefs or faith, there’s no absolute way of knowing for a fact what follows life. However, a group of curious individuals may have found a way of validating that the other side does exist. These brave analysts are the paranormal investigation team Cal~Para Research.

I was lucky enough to meet up with four members of the Cal~Para Research team at a haunted location that they’ve had intelligent communication with spirits at in the past. The investigation took place in the beautiful and historic downtown area of Riverside that is home to wide streets lined with historic buildings. Americans first began settling in Riverside as early as 1873, while it was home to the Spanish colonials before then, and Native Americans lived on the land even earlier. It’s safe to say that there are generations on top of generations of potential spirits lingering on this land—a perfect place for my first ghost hunt.

Downtowne Presence

It’s a hot fall night and I find myself standing outside Downtowne Bookstore. The white stringed lights hanging against the brick building illuminate a path down a narrow walkway towards the entrance of the bookstore. The sun has set for the day, but there’s still enough light to make the experience feel less creepy. After all, I know I’m heading into a location that has been deemed a hot spot for paranormal activity. Upon entering the quirky bookstore, a friendly and inviting woman behind the counter smiled at me and graciously offered her assistance. I introduced myself, and she eagerly let me in on the many ghost stories that have happened within this old brick building.

While the exact history of the building is largely unknown, the owner of Downtowne Bookstore, Nadia, shared the little knowledge she has about its past. In 1927, this building was home to the newspaper Enterprise before merging with the well-known publication that’s still around today, Press Enterprise. At some point trophies were made here, and later it housed a record store. By 1974 it was a bookstore, which it still is today. Nadia has been here for 11 years, and throughout the years there have been countless instances that make her believe in the ghosts that inhabit Downtowne Bookstore. The first clue to the haunting was when Nadia and her sister opened up shop in ‘03. She explained, “On the top shelf, one book, we both saw it, eased out and dropped—all on its own, no earthquake, no wind, just all on its little lonesome.” Aside from this, Nadia frequently hears unfamiliar and unexplainable noises. Since then, Nadia and her sister have had multiple paranormal groups come to investigate the bookstore, and each group has had similar findings.

Nadia met the Cal~Para Research team when she was spending a day at the bookstore. Cal~Para had gotten a tip that all the downtown buildings lining Main St. are haunted, so they came by door to door offering their paranormal investigating services. Nadia graciously accepted, which started a long friendship of allowing the investigators to research this location frequently. The team has even installed a live-feed camera (a para-cam) in the basement, which catches footage between midnight and 4a.m. The first time Cal~Para Investigators came to the Downtowne Bookstore they caught an EVP (electronic voice phenomenon) on a digital audio recorder. An investigator asked the simple question out-loud to the spirits, “Can you come over?” The recorder picked up a clear EVP response, “No, I’m dead.”

Downtowne Bookstore has had multiple instances of validation of the paranormal world existing within it. A photograph that was taken when Cal~Para first investigated this location years ago shows a glowing orb hovering in the basement—a proven hot spot for spirit activity. The hard evidence as well as the personal experiences that Nadia and her sister have had in the store validate their beliefs. Nadia assured me, “We really believe something’s here.”

Keep an Open Mind

After speaking with Nadia, I knew it was time to meet the Cal~Para Research team. I looked around for the ghost hunters, but didn’t see them anywhere . . . there was absolutely no one wearing white jumpsuits or oversized ghost hunting machines that resembled backpacks. Instead, Nadia pointed me to her right, where a group of friendly and regular looking women and one man were sitting in a circle. Here I’m introduced to my paranormal team for the evening, Kd the director and lead investigator, Jean the assistant director and lead investigator, Sue the investigator and John the web developer and investigator.

Made up of a group of about 20 individuals, the Cal~Para Research investigators are far from the GhostBusters portrayed in television and movies. These confident members all bring different strengths and perspectives to the group. Many in the team are self-described as “sensitive.”

While you may be more familiar with the terms medium or psychic, these individuals prefer to avoid the preconceived assumptions that may come with these labels. Rather, they have different levels of sensitivity into perceiving the spirits and paranormal world. On the other hand, there are also those in the group who identify as open-minded with a healthy sense of skepticism. The team’s diversity is centered on an eagerness to find the supernatural and is dependent upon using scientific means to validate their findings. While many of the group members are sensitive, they never base their case-findings off of perceptions alone.

Running into ghost activity seemed highly likely for the night as the team informed me that three spirits hang out in the upper floor of the bookstore, while a child and unfriendly male spirit linger in the basement. Headed down to the dark and book-cluttered basement, we began our ghost hunting session sitting in a circle with multiple investigative tools in the center. Early on, the child spirit showed itself to us by lighting up the K-II (Electron Magnetic Field Meter) twice, which is Kd’s favorite way to communicate with spirits. While the sporadic illumination of the red, green and yellow lights on the K-II shows a spirit may be present, an even more spooky experience that absolutely confirmed the existence of the child ghost within the basement didn’t happened until after the investigation concluded.

Nearly every member of the Cal~Para Research team carries a digital audio recorder, because EVPs are more common that disembodied audible voices that you would hear first hand. The team members frequently get EVPs, hearing the otherworldly voices on the recordings alone, because it takes a lot of energy for a spirit to project their voice from their fourth dimension into our third dimension, but they come through audible on recordings. I personally recorded the entire interview session in the basement, asking the team questions about their different experiences as ghost hunters. It wasn’t until I went home later that evening that I noticed 15 seconds into our basement session that there was a small child laughing on my recording—loudly and clearly. Where had this come from? There were no computers or TVs on . . . let alone any children in the area. I may have been extremely skeptical coming into this experience, but there is no denying this child’s laughter on my recording when nothing was present that could’ve accounted for that sound—it was just five adults in the dark basement. I didn’t hear the laughter at the time, even though the recording sounds as if the child was sitting right next to me. I recall Kd informing me that the spot I chose to sit in was also where they captured a video of white mist hovering—apparently I had chosen to hang out in a known hot spot.

Evidence Doesn’t Lie

The paranormal team shared other stories from previous haunt sessions. One of the investigators, Sue, is convinced the supernatural world exists, because it has reached out and physically touched her. One time in particular, the ghostly touch was backed up by an EVP.

Sue explained, “We were all sitting around doing EVPs, somewhat in the dark, in a young girl’s bedroom. And I just was standing in the doorway and basically just hanging my hands down, and I felt something go like that to me. (tickles the palm of her left hand with her right fingers.) And I thought ‘that’s weird.’ I thought it could be bugs—it was a hot night and we had doors and windows open. But I said something, I said ‘something just touched me . . . touched my hand,’ and we had an EVP, and it sounded like a little child saying ‘it was me.’ So that probably was my most compelling [evidence that the paranormal world exists], because I thought something and we got it confirmed.”

It is common for the team to collect evidence; however the evidence frequently disappears without reason. For example, Jean once captured a shadow dart across a room on her video camera. She went home and shared the tape with her daughter. When she went back to save the video, the three frames that the spirit was originally in had gone completely black—the image had disappeared. John is a skeptic who joined Cal~Para Research to find proof firsthand. He explained, “Once I turned 50, I started thinking about dyin’ so I’m thinkin’ what happens afterwards?” His ultimate goal is to capture a full-bodied apparition one day. On two separate occasions John has caught a visual mist on his video camera, and when he went back to save the image, it was gone. There is no way to explain why this happened without spirit intervention.

Going into this experience skeptical, I was impressed by the findings of the paranormal investigators, as well as my own. After having first-hand experiences and collecting indisputable evidence, my skeptical side has shifted towards open-mindedness. And although I didn’t run into any life-threatening or utterly terrifying events (which I’m grateful for to say the least), I did learn a great amount about the ins-and-outs of ghost hunting.

If you’re convinced that the house you’re living in has some unwanted guests, feel free to call the Cal~Para Investigators. Not only is their service absolutely free, but they pride themselves in keeping your case 100 percent confidential. You may find out that the lingering spirit is really your grandmother watching over your children, which is a common finding. The best advice Cal~Para Research shared would like to share is that you shouldn’t tamper with what you’re not educated about and experienced in when it comes to spirits. After all, you wouldn’t want a spirit attaching itself to you. And one other word of advice . . . whatever you do—don’t burn your Ouiji Board.

www.calparainvestigations.wordpress.com

Originally Published by IE Weekly on October 24, 2013: http://ieweekly.com/2013/10/feature-stories/apparition-experts/

Gems of the Desert

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Gems of the Desert

Appreciating the Beauty Behind Wonder Valley’s Forgotten Structures

By: Jamie Solis

Exploring the deserts that lie on the outskirts of San Bernardino County, you will certainly run into some odd findings. Whether it’s the Wigwam Motel, where a teepee can serve as your next comfy slumber or the once thriving city of Zzyzx, which has a name alone that perplexes passersby heading out to Las Vegas, the desert has always produced quirky and obscure structures for us to gaze at. If you’ve ever traveled to the Morongo Basin east of Twenty-nine Palms, near Joshua Tree National Park, then you may have run into an entire cultivation of abandoned homes that litter the desert in a scattered about and chaotic kind of way. Welcome to Wonder Valley, California.

Kim Stringfellow is a visionary who felt inspired by the culture and history behind these small structures. She has presented a dedication of works, all under the name Jackrabbit Homestead: Tracing the Small Tract Act in the Southern California Landscape. Over the last six years since its artistic conception, Jackrabbit Homestead has graced the likes of numerous galleries around California, from Joshua Tree to Berkeley, now finding its way to IE’s very own UCR ARTSblock’s Culver Center of the Arts in Riverside. This installment is composed of an exhibition of photography, a published book and an online multimedia project, which includes an interactive audio car tour—giving you the chance to learn the importance of these homesteads first-hand from historians, local artists and residents.

Wonder Valley brings a whole new meaning to the term humble abode. Many small buildings that once served as someone’s home sweet home are now four walls cluttered with decaying pieces of drywall. Other structures have nothing left but a skeleton of their decomposing wooden framework. Some homes have fallen over completely—ultimately crumbled into the ground after enduring decades of abuse from nature’s elements. Often these places appear to be stuck in time, where old broken down electronics line ruins of once-thriving households. Classic broken down trucks, dated appliances, tangled mattress springs and even turned over boats are among the past’s prized possessions that now only serve as trash of the desert.

Looking at some of these rotted out places, you can’t help but wonder who used to belong to these American Dreams? Who was willing to invest their hard earned dollars towards a piece of dry and desolate land? Life’s pressures often include a feeling that owning property is a necessity, and to completely abandon these homes was forgoing a once living dream.

The Small Tract Act of 1938 was the last time the U.S. government offered up an inexpensive way for families to buy property. These lots of land were up to five-acres and available for purchase to those willing to do something with the land and in this case the most viable option was to erect a small homestead. These little shacks were pop-up-homes in a sense, often taking only one day to complete their construction throughout the ‘40s to‘60s. Many people who decided to come out to Wonder Valley were veterans of World War I. Veterans came back from the war seeking a cure to heal their lungs and doctors recommended the warm and dry air. Building a little homestead in the middle of San Bernardino County seemed like a great opportunity at the time, despite the harsh climate.

Those settling in this new area were not in for easy living. To this day, water is still not readily available to the settlers of this region. Coyotes and scorpions crawl across the hot desert grounds in search for their next meal, and the weather is known to be either blazing hot or freezing cold. While these deserted homes prove that the majority couldn’t stand the elements, there are still a handful of people that inhabit these homesteads, whether it is for their daily living or having a breathtaking art studio to call their own. Today, many still see something appealing in this area that cannot be found somewhere else, whether it’s the virtually unlimited space or the absolute freedom from urban sprawl.

Standing inside an old shack, the open windows frame the beautiful and desolate view of this wasteland. These roofless buildings serve as an open canvas to budding artists and individuals looking for an opportunity to absorb the charm of nature. In the end, beauty really is in the eye of the beholder, so check out these forgotten gems of the Morongo Basin.

Jackrabbit Homestead: Tracing the Small Tract Act in the Southern California Landscape at Culver Center of the Arts, UCR ARTSblock, 3824 Main St., Riverside, (909) 827-4787; artsblock.ucr.edu. Thru Sept. 28. $3. 


Originally Published by IE Weekly on August 29, 2013: http://ieweekly.com/2013/08/arts/arts-feature/gems-of-the-desert/

Seeing Double


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Seeing Double

The Inspired Art of Film Cult Phenomena

By: Jamie Solis

Vintage films are known to have an intrinsic cult following. Maybe it’s because they remind us of the matte simplicity that’s fading in our digital society, or it could be the growing appreciation for classic features—when storylines were still unique and theatrics took fearless risks. Either way, we find ourselves attracted to old school cinema and the bold propaganda-esque designs that adorn their artwork. Regardless the reason for our fantastic obsession, posters from motion film’s past have been re-imagined, reinvented and redesigned using various forms of media at “Double Feature: the Mad Art of Midnight Movies.” Twenty-five venturous artists eagerly present their current interpretation of a cult movie classic poster on display, while you can compare them with the exhibited originals. Come recognize the silver screen’s transformation of taste and vision over the years.

Right away, it’ll be clear that these artists are not thinking inside the box, fighting against the structure of a rectangle display and creating large commanding works. Upon entering the Main Street Gallery in the heart of Downtown Pomona, you’ll instantly be directed towards Coma by Matthew Blansett. Using wood, acrylic paint and wire, Blansett emphasizes the hanging man that appears as a mere afterthought on the busy original. The man is suspended by wires to large letters above him that spell out COMA. Purples and blues shadow the suspended man’s body and face, giving off a creepy appeal—which may come from the overall state of mind you have while enduring this strange 1978 film. Spoiler alert: The people hanging by wires in Coma were purposefully put into a coma to be used as organ donors for rich folk—definitely an eerie ending to this paranoia-filled flick.

Nearby, another intriguing piece entitled Escape from Planet of the Apes (clearly reviving the primate movie art by the same title) was created by Joe Forte. He transported this design into the twenty first century with spray paint, stencil work and his chic street style. On top of a background of irrelevant words from what appear to be vintage print publications, layers upon layers of spray painted shapes compile a chromatic ape face that commands the attention of the studio’s bottom floor. Forte’s interpretation is much more thought-provoking than the earliest piece, with endless swirls of color and a hidden image that make you feel like you’re solving a puzzle.

Standing out agleam against the neutral gray wall, Owl by Athena Hahn is also quite dissimilar if not opposite of the model midnight movie artwork it was envisioned from. There’s a silver glow that suggests this character is from a world far more mystical than here, which is spot on—The Clash of the Titans was a hit 1981 fantasy film based around Greek mythology. While the classic art focused on Medusa and Greek gods, Hahn surprises us. She completely refocuses the piece from the main characters of the film to the no less important Bubo—Athena’s heroic owl. While there are many more artists that produced works unalike its predecessor, there are many who kept consistent with the past inspiration.

Some chose to stay true to the timeless vision, while adding much more life and vibrancy. Bill Moore modernized the Invasion of the Body Snatchers movie poster using texture, while keeping true to its dark, disturbing form. Black figures hover above and below the golden ground in his reinvented piece—igniting an uneasy eerie feeling within the viewer’s chest, complete with shivers down your spine.

Artist A.S. Ashley also kept within the same scope in redesigning the cover for the terrifying love story, Magic, by keeping the focus on the mind-controlling murdering dummy named Fats. It goes without saying that ventriloquists and their dummies freak us out, however this rendition is so unnerving, it takes the fear to another level. You’ll be watching your back as you walk away. Using deep and rich colors create a three-dimensional and lifelike portrait, it proves to be the definition of spooky.

Overall, “Double Feature: the Mad Art of Midnight Movies” is full of surprises; we recommend stopping by Amy Maloof’s color photographs entitled, Mattie—an amusing interpretation of supernatural horror film Carrie. This assortment of imaginative and engaging works will be on display through July 27, which includes countless unmentioned film adaptations including Bonnie & Clyde, Barbarella, Hedwig and the Angry Inch, The Elephant Man and many more. These visionary pieces will solidify that art cannot repeat itself—you certainly will not be seeing double.

“Double Feature: the Mad Art of Midnight Movies” Main Street Art Gallery at the Pomona Frame House, 252-C Main St., Pomona, (909) 868-2970;  www.pomonaframehouse.com,  www.facebook.com/george.cuttress. Thru July 27. Open Tues.-Sat., 11AM-6PM; Sat., July 13, 6-9PM; Closing reception July 27, 6-9PM. Free.  


Originally Published by IE Weekly on June 13, 2013: http://ieweekly.com/2013/06/arts/arts-feature/seeing-double-2/

A Picture is Worth a Thousand Words


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A Picture is Worth a Thousand Words

Immortalizing Riverside’s Imprints of “The Golden Dream”

By: Jamie Solis

The golden dream has always existed within the desirous minds of Americans. It’s stated on the Statue of Liberty herself, “Give me your tired, your poor, your huddled masses yearning to breathe free.” This quote from the sonnet New Colossus by Emma Lazarus has been an anthem of humankind for over a century, breathing the vision of prosperity and freedom from oppression for every person regardless of their race, ethnicity or class. This August marks 50 years since the brave Nobel Peace Prize winner Martin Luther King Jr.’s infamous I Have a Dream speech echoed against the Lincoln Memorial. He addressed how the Constitution and Declaration of Independence ensured that “all men would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness.” This marks an appropriate time to delve into our local ties—to recognize the individuals who made their way to the Inland Empire in hopes for a better life for themselves and their families—a once in a lifetime shot at the American Dream they were promised.

The Eastside of Riverside has always been a mecca for Latino and African American families looking to find success. Many African American military men migrated to March Air Force Base from the Old South, and the commercial areas that line University Avenue are littered with evidence of this—from the historic buildings that tell captivating anecdotes of Southern California’s past to the residents that still recall the importance of those who walked along these streets.

A well respected Riverside native and award-winning writer, Susan Straight, looked around at her hometown and saw that many of the old buildings were burning down and being lost to development. She felt that the stories of those that have contributed to the uniqueness of this city must be told before the chronicles are gone forever.

These vanishing memories are being recovered and immortalized at the collaborative exhibit, “More Dreamers of the Golden Dream” at the Riverside Art Museum. Straight has collaborated with documentary photographer Douglas McCulloh, to expose the populace who has contributed to Riverside’s antiquity. Through overwhelming, large-scale black and white photographs printed on cloth alongside poetic words that express intimate details pertaining to the photos, the viewer is surrounded by the moment that was once passing but is now frozen in time indefinitely.

A photo of two young African American women, Rosie Morris and Alberta Morris Sims, was contributed to the exhibit by the Sims family. While the date is unknown, the sheer volume of the subjects’ hair gives it away—this photo breathes the ‘60s. Another exhibited portrait is of the old school jazz band Edgar Hayes and his Star Dusters. The enthusiastic energy of this quartet from San Bernardino is almost contagious—each of the four men is proudly posing with his instrument to forever leave a positive imprint in the musical minds of many.

Place yourself in front of McCulloh’s commanding image outside Riverside’s Our Lady of Guadalupe Shrine, and you’ll understand why this old church has been cherished by the Eastside Latino community since 1927. This photo of Tony and Sarah Lopez on Ash Wednesday evokes spiritual emotion. It was here that they were married over 70 years ago. Another photograph of this important day of faith uses the repetition of the ceiling boards to draw your eyes along the top of the print until your focus stops at the long cross held by an older gentleman—everyone appears to be deep in prayer.

There is also a collection of photographs highlighting Zacatecas Cafe—an important part of the Eastside since the 1970s. The old colorless images provided to this exhibit by the Medina Family contrast the modern contributions by McCulloh, demonstrating how simple changes are much more evident once compared after decades pass . . . the original hand-painted sign is now illuminating the otherwise dark street corner. Inside, the family atmosphere remains almost unchanged, although the new busy photo is dissimilar to the somber and beautiful photograph that depicted the inside of Zacatecas in the years before, which speaks of a once quiet cafe.

Through this vast collection, it’s important to recognize the brave travelers who came to this region with dreams of a bright future, because without their journey our beautiful region would have the cultural vibrancy present today. We must continue to memorialize imprints of our past before they’re lost forever.

“More Dreamers of the Golden Dream” at Riverside Art Museum, 3425 Mission Inn Ave., Riverside, (951) 684-7111; www.riversideartmuseum.org. Thru July 25. Admission is $5.

Originally Published by IE Weekly on July 3, 2013: http://ieweekly.com/2013/07/arts/arts-feature/a-picture-is-worth-a-thousand-words/